Lyrics
Drifting in and out, you see the road you’re onIt came rolling down the cheek
Say just what you need
And in between, it’s never as it seems
Help me to name it
Help me to name it
If you built yourself a myth
You’d know just what to give
What comes after this
Momentary bliss
Consequence of what you do to me
Help me to name it
Help me to name it
Found yourself in a new direction
Arrows falling from the sun
Canyon calling, would they come to greet you?
Let you know you’re not the only one
Can’t keep hanging on
To all that’s dead and gone
If you built yourself a myth
You’d know just what to give
Materialize
Or let the ashes fly
Help me to name it
Help me to name it
In the shimmering expanse of dream pop, few songs capture the genre’s hypnotic allure quite like Beach House’s ‘Myth’. The track, which delicately unfolds as a mesmerizing tapestry of introspection and melody, offers listeners a labyrinth of emotional depth to traverse.
Under the soft glow of Victoria Legrand’s haunting vocals and Alex Scally’s ethereal guitar harmonies, ‘Myth’ beckons us to explore the veiled stories weaved into its lyrics, promising a journey as much about the discovery of self as it is about the music itself.
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At the heart of ‘Myth’ lies a quest for identification, a plea for clarity in the echoing chambers of the soul. The song’s opening lines, ‘Drifting in and out, you see the road you’re on / It came rolling down the cheek,’ speak to the universal human experience of seeking direction amidst life’s ephemeral nature.
This introspection is punctuated by a call for assistance – ‘Help me to name it’ – suggesting a struggle to articulate or perhaps even understand one’s own feelings, desires, and the very essence of their being.
Building Narratives: The Power of Personal Myths
The concept of constructing a personal ‘myth’ serves as the central metaphor and offers a provocative take on self-perception. ‘If you built yourself a myth / You’d know just what to give’ proposes that the stories we tell ourselves about who we are can shape our reality, influencing our decisions and the legacies we leave behind.
There is an acknowledgment here of the ‘Momentary bliss’ that follows the crafting of such narratives, but also an awareness of the consequences they may wield over our lives and the lives of those around us.
Embrace Change and Let Go of the Past – The Song’s Hidden Meaning
The theme of change resonates deeply within the lyrics as Beach House weaves imagery of new directions and symbols of transformation. ‘Found yourself in a new direction / Arrows falling from the sun’ could signify moments of sudden clarity or enlightenment, urging the listener to embrace evolution over stagnation.
Acknowledging the uselessness of clinging to ‘all that’s dead and gone’ suggests a release of outdated beliefs and embracing the growth that comes with such liberation.
Deciphering the Ephemeral: Most Memorable Lines
‘Materialize / Or let the ashes fly’ – this haunting dichotomy captures the song’s essence, presenting the choice between giving form to one’s identity or letting go of it entirely. The pictorial language here emphasizes the transient nature of existence and the constant negotiation between being and non-being that defines our lives.
The lines resonate as a call to action, a poetic urging to either solidify one’s place in the world or to scatter it to the winds, perhaps to start anew.
The Lingering Echoes of Dream Pop
Musically, ‘Myth’ encapsulates the dream pop genre’s hallmark traits – a soundscape that’s both lush and spatial, leaving room for introspection. Beach House manages to make ‘Myth’ as open-ended and subjective as the lyrics themselves, creating a sonic experience that both haunts and soothes.
In this way, ‘Myth’ functions as an aural canvas, allowing listeners to project their own narratives onto the music. The result is a song that is deeply personal, yet universally resonant, and one that continues to captivate and intrigue long after the final note has faded.
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